Ahora Soy Rico (1952)
directed by Rogelio A Gonzalez
cinematography by Agustin Martinez Solares
set design by Jorge Fernandez
Another Mexican gem, brimming with film noir moodiness. The art direction is fabulous. The composition in nearly every frame is a work of art. Sadly the print was very poor, else I'd share a lot more images of the art moderne apartments which contain many key scenes.
What really impressed me was Pedro Infante. Within a meandering plot that includes gangsters and marital disharmony, there is a deeply moving scene in which Infante is struggling with his male inferiority complex. He literally howls in pain. The scream shatters the momentum of the story, taking a moment to rawly expose the underlying unrest in all of film noir. Very powerful and very moving.
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